Publication: Kerrang!
Date: April, 1997
Transcribed by
Emil (mj13417@janus.swipnet.se)
Emil (mj13417@janus.swipnet.se)
page: title: author: Phil Alexander Tool. They don't release singles. They make videos that are too harsh for MTV. They are Tool, and they've just sold over a million copies of their current 'Aenima' LP in the US without having to ask anyone's permission. The uneasy listening Carlifornian crew are currently on the road in the US, and will join Korn in June to co-headline Lollapalooza. A UK return cannot be ruled out before the end of the year, though there are no plans confirmed as yet. The four-piece are expected to take a break during the late summer in order for guitarist/visual director Adam Jones to work on the band's next video. Jones is also keen to use the nine hours of footage he shot for the 'X-files'-flavoured 'Stinkfist' vid to make a full-length film. Tool also haev a unreleased cover of Led Zeppelin's 'No Quarter' up their collective sleeve, which could surface once band members feel that they are totally happy with their unique version. ---------- That issue had a review of the Equinox festival which took place in Sydney, Macquarie University March 29. Midnight Oil strangely headlined instead of Tool... Anyway, the whole thing got a 4 / 5 rating, and this is what they had to say about Tool's performance: And so to Tool. The Los Angeles four piece may not have any of the traditional metal trappings, but before the 15.000 people gathered to see them, they're an awesome spectacle. Like Ministry, Tool are modern metal in the best and articulate sense. You can almost smell the torrent of brain impulses surging through their systems during a set that is equal measures instinct and intellect. >From the moment guitarist Adam Jones steps on his effect pedals, it becomes clear that the sound restrictionsof earlier in the day has been relaxed considerably. His guitar rings clear throughout the sense grooves of 'Forty Six & 2' and 'Third Eye', while behind him the rhythm section of bassist Jusin Chancellor and Danny Carey coils and uncoils with the strength and sinew of gigantic snakes. And there's no dumb posturing either, no gyrations save for the moves of Maynard James Keenan - he of the half blue half white bodypaint - which comes across like some unhinged physiotherapy session half speed. Tool are a paramilitary operation, clinically aimed at the gut, the mind and soul. Empowered and empowering, like a modern day Led Zeppelin they mix muscle and mystery, transcending any and every attempt to label them and pushing back the boundaries of their art with everything they do. Long may they continue. -- review by Murray Engleheart
Posted to t.d.n: 05/01/97 16:31:01