Publication: The Melbourne Age
Date: April, 1997
Transcribed by
Dan Steadman (flood@peninsula.starway.net.au)
Dan Steadman (flood@peninsula.starway.net.au)
page: title: The Crowd Finds The Right Tool For The Job author: Gary Munro Tool's Maynard James Keenan twitches, lurches and stamps around the stage, painted blue from (shaved) head to toe, and wearing nowt but a fetching pair of striped boxers. He's like a freak from Jim Rose's circus, kicked out for being too weird... But when Keenan sings, drawing on the power in those seemingly bottomless lungs, the crowd at a sold out Festival Hall listens. Tool is a remarkable band, the four-piece often giving the impression it has twice the number of members, such is the depth of sound. Danny Carey is one of the finest drummers in alternative rock, and when he throws a dozen or so of his sticks into the crowd when it's all over, one can't help wondering if he was using them all at once. He and bassist Justin Chancellor - sporting a coat of red paint for the occasion - are an outstanding rhythm section. Opening with the sprawling Third Eye, the closing track from it's latest album, Aenima, the Los Angeles based Tool sets the tone: no short pop tunes here, pal - this band wouldn't know one if it fell over it. In the relatively generous, by 90's standards, 105-minute set, Tool plays 10 songs, most from Aenima, a couple from 1993's Undertow, and the title track from it's debut, Opiate. The crowd, predominantly male and following closely what Henry Ford almost said - "You can have a T-shirt in any color, as long as it's black" - makes the most of the opportunity, and by the time the band is halfway through it's second song, last year's single Stinkfist, half the hall is a heaving mass. However, Tool's stuttering, intelligent rhythms ensure the moshers have ample time to rest in between the sweating. Intelligent, too, is the video back-projection. Sober and Prison Sex feature excerpts from their disturbing promo clips, interspersed with the mainly black-and-white images. The momentum stalls briefly during the sweeping, extended instrumental introduction to Sober, where Keenan sits, unmoving, head bowed, but when Adam Jones's familiar guitar riff kicks in and the crowd begins singing along, all is forgotten. The band doesn't bother leaving the stage before the encore - a strange sight for those used to rock conventions. Instead, the members down tools (doh!) and gather around for a chat - a mid=pitch rock conference, if you will - before powering through the title track from Aenima and leaving the masses to file out as The Itchy And Scratchy Show theme plays repeatedly over the PA. To boot, a sense of humor... Tool's music is confronting and challenging, and on this evidence, rock music needs more bands like it. Support act Shihad played an impressive 40-minute set, and the NZ quartet is likely to find new fans at its Melbourne shows later this week.
Posted to t.d.n: 05/03/97 00:40:11