Publication: Rolling Stone
Date: August, 1997
Transcribed by
Ryan Grace (toolmaster@hotmail.com)
Ryan Grace (toolmaster@hotmail.com)
page: 38 title: Performance/ Lollapalooza/ June 25, 1997, West Palm Beach, FL author: Robert Levine Judging from Lollapalooza's West Palm beach, Fla. debut, it's going to be a cruel, cruel summer fot Perry Farrell's traveling circus. The year after festival organizers were criticized for courting the mainstream masses with a metalfest anchored by Metallica and Soundgarden, Farrell has recruited a slightly more daring lineup- Bob Marley offspring Julien and Damian Marley, etheral Brit- poppers James, the funk metal band Korn, trip-hop pioneer Tricky, rapper Snoop Doggy Dogg, moody industrial rocker s Tool and the techno group Orbital- that is having trouble filling venues. And despite the presence of a few innovative acts, Lollapalooza's first 1997 date seemed as stale as a '70s- survivers package tour and almost as predictable. The Marleys opened with a pleasant but rote reggae set to an almost empty house. Next on were James, whose layered, sophisticated pop failed to reach an audience that seemed interested mostly in moshing in the sun. Korn followed with more success, jumping around like a low-rent version of the Red Hot Chili Peppers and driving the crowd into a frenzy. Thanks in part to the absence of the spicy rap outfit Dr. Octagon, the second-stage lineup wasn't much more compelling (main stage act Jon Spencer Blues Explosion canceled as well). Lollapalooza's nonmusical alternative-culture attractions also have lost steam: A performance by Porno for Pyros' exotic dancers on the grassy festival midway was lost on one drunken lout, who tried to slip one of the dancers a dollar. Even an apperence by one of Lollapalooza's founding fathers, Farrell , didn't generate much heat. Performing with a stripped-down version of Porno for Pyros' both in the Brainforest tent and on the second stage, Farrell streched out catchy songs from Good God's Urge into meandering acoustic jams that went nowhere fast. Back on the main stage, some seats ripped out by rabid Korn fans were probably missed by the crowd during Tricky's frustrating set, most of which featured the avant-B-boy with his back turned to the audience. Snoop Doggy Dog on the other hand worked the crowd so well that an impromptu mosh pit formed during "Nuthin' but a G thang." Despite their plodding sound and fury, Tool seemed down-right tame by comparison, going through their industrial-rock motions without offering anything new. The most innovative set of the night was delivered by show closers Orbital- unfortunately, as they went on, many concert-goers were heading for the exits. Those fans missed some engaging beats, not to mention a rewired version of the group's song "Halcyon," which included samples of Belinda Carlisle's "Heaven Is a Place on Earth" and Bon Jovi's "You Give Love a Bad Name." Only then, and during parts of Snoop Doggy Dogg's set, did Lollapalooza seem like the varied, vital music it was meant to be. As far as the rest of the festival went, it could have passed for Ozzy Osbourne's summer tour, with a busy body-piercing booth.
Posted to t.d.n: 08/07/97 22:17:43