Publication: Access Magazine
Date: February, 1997
Transcribed by
Edward Hsieh (edward@planeteer.com)
Edward Hsieh (edward@planeteer.com)
page: 1 title: TOOL: Flush The Fashion author: Tim Henderson Tool's second full-length, Aenima, has provided enough shock therapy to jolt us into the next century. While dark shadows crisscross madly in the foreground, Aenima's ever-ensuing atmosphere of realism is in stark contrast to the comfortable, conservative mentality to which North America has succumbed. The riveting beats and violent outbursts are forced, rather than gently applied, in an all-out attack against current song/record making. "We've been misqouted and perceived the wrong way for a long time," explains drummer Danny Carey from a brief New York stopover during the band's current North American tour. "They make Tool seem like we're all about the horrors of life. While there certainly is a disturbing side to what we do, it's just one aspect of it, not the entire story. We're one of the few bands who hasn't had to play any lame fashion games. We've always been able to put art first." Having collided in '91, Tool- which is rounded out by singer Maynard James Keenan, guitarist Adam Jones and new bassist Justin Chancellor, who replaced Paul D'Amour in '95- has already seen plantinum success with their first full-length, 1993's Undertow. Three years later, two of which were spent in the South of France at the Renne LeChateau, Tool found themselves mixing a bizarre collage of riveting segues and punishing doses of meal far too intelligent to be tabbed alternative and certainly more threatening than death metal's Nordic corpse-paint. "It's what the band does best," laughs Carey. "It's like an amusement park, where you can jump in on any ride. (It may) be brutal and rigorous and the demands great, but you'll walk away from it saying that (you) were treated well." With or without seatbelts, Aenima is not for the squemish. The conceptual journey found within is fuelled by gruelling passion and thought-provoking social commentary. Carey is just relieved Aenima has proven successful: "It's been over 3 years since the success of 'Sober' and everything after. We've come a long way, and every show has been sold out for (the) Aenima (tour). It's good to see people into heavy music again. It gives us hope for the next record, which will not take as long."
Posted to t.d.n: 05/16/97 16:39:58