Publication: Kerrang!
Date: February, 2001
Transcribed by
Matthew Coleman (matthew@intalogic.f9.co.uk)
Matthew Coleman (matthew@intalogic.f9.co.uk)
page: 4 title: Tool: The Return author: Tool have played us five tracks from their as-yet-untitled third full- length album, which is due for UK release on April 16. The band's first studio outing since 1996's 'Aenima', the album has been surrounded by confusion, due to the band deliberately leaking fake song and album titles through their own website. The previously announced album title 'Systema Enchephale', for instance, has been revealed as a mere smoke-screen. Some of the fake song titles revealed on the band's official website have incuded 'Poopy the Clown', 'Juggling Poop' and 'Alcawhorlick'. The album was produced by David Bottrell (sic) and recorded over two months at Cello Studios in Ocean Way, California and at Larrabee studios in Universal City, Los Angeles. In America, it will be released a day later than the UK edition, on April 17, vocalist Maynard James Keenan's birthday. Kerrang! is the only UK magazine to have heard the new Tool material. The songs are complex - most of them are over eight minutes long and feature numerous twists of mood which are unlike anything else in rock music at the moment. There are spacious and melodic moments, surprisingly aggressive elements and a real emphasis on rhythm, with an almost tribal, African flavour on certain tracks. As challenging and intricate as ever, the new Tool album looks likely to be a masterpiece. The band themselves are extremely pleased with the new material - and in particular the way it defies traditional song structure. Speaking exclusively to Kerrang! in Los Angeles, Maynard Keenan said: "I think the organic way we write, the organic way we put our music together, lends itself to these creative angles. The rock format is often pretty easy, pretty simple - riff, chorus, middle eight, see you later - but none of us fit into that format. It was just something that never interested us and I think the music stronger for that." "It's important to remember that the music you hear is the result of four of us working together," says English-born bassist Justin Chancellor. "The sounds you hear come from all of us contrubuting material." Drummer Danny Carey adds that the album sees Tool take on a whole new lease of life. "The music we make is very natural for us. Maybe this time the music and the arrangements are a little more intense because Maynard was off doing his own thing (with A Perfect Circle). That meant that we worked on the music as musicians and strove very hard to get the songs complete before any words are even brought to the table. Maybe because of that the album is a little more driven. And when we hear the finished article it's a very gratifying thing." The new Tool album, track by track... 'Schism': The most immediate track we hard. The tempo on this seven- minute song is mid-paced but driving and powerful with searing, urgent vocals, a great guitar riff and a surprisingly catchy chorus. 'The Grudge': This eight-minute song features an almost machine-like vocal from Maynard Keenan which is rhythmic and staccato, threatening and oppressive. The song builds to a great climax and finishes off with a riveting guitar riff. 'Parabola': This nine-minute song begins with a luxuriant bass-run and melodic, floating vocals. A pulsating, driving beat comes crashing in, underpinning a mixture of riffs and lead guitar. Slows at the end to a huge, hulking riff. 'Lateralus': Another nine-minute epic, this song builds quickly into a big, spiralling power-chord riff with sublime whispers from Keenan. Softens to virtual silence in the middle, before slowly returning to volume. 'Patient': Opening with almost Egyptian-sounding guitars, this eight- minute song drifts to a gorgeous, floating vocal, sung over gentle chords and a sparse, delicate drum-beat. Lulling the listener into a false sense of security, the band then bring things to the boil with double-bass drum rums and a piercing solo note riff from guitarist Adam Jones. Features fantastic mid-pace riffs and a compelling lead guitar part.
Posted to t.d.n: 02/03/01 07:12:40
Publication: Kerrang!
Date: February, 2001
Transcribed by
Papa Lazarou (adkni@hotmail.com)
page: 46 title: Back To Drool author: Simon Young KKKK/KKKKK What with frontman Maynard Keenan's involvement with A Perfect Circle and his colleagues'legal wrangles with their erstwhile label Zoo, it's been a long four years since the release of the stunning 'Aenima' album. 'Salival', then - a one - CD, one video set whose title could imply the 'live' nature of the release and their fan- base's drooling anticipation of April's 'Lateralus' album - is bascially a sumptuously packaged clearing of Tool's vault of live and unreleased material. The 70-minute CD opens with a didatic intruduction by LSD guru Dr Timothy Leary, before live intertretations of 'Third Eye', 'Part Of Me' and a intensely gentle version of 'Pushit' capture the foursome's breathtaking musicianship beautifully. 'Message To Harry Manback II', however, is a puzzling continuation of the ansaphone abuse found on 'Aenima'. 'You Lied' is a live version of a Peach song (bassist Justin Chancellors's previous band) and the resultant noise is a swirling experimental wall of bleeps and scraping guitars before concluding with a minimalist drum pattern and washes of feedback. King Buzzo of the Melvins joins the foursome on their cover of Led Zeppelin's 'No Quarter', making the classic song their own. The only track which really lets the compilation down is 'LAMC':a paranoiac's telephone call to the Los Angeles Municipal Court, made all the more fearful by its prodding, urgent guitar stabs. It's an interesting track, but on further listens it becomes as irritating as an insistant telephone sales representative. Surprisingly, this paves the way for a simple rock song found in the secret, the uncredited 'Maynard's Dick' The videos included in this tool box - 'Stinkfist', 'Sober', 'Prison Sex' and 'Aenima'(sic)- showcase guitarist Adam Jones' versatility as an art director and all have a thematic cohesion: alien mutants find themselves captured in claustrophobic surroundings. Enjoyably, they come across like a Ridley Scott film embellished with a unique rock soundtrack. Despite a couple of duffers, 'Salival' will make the wait for 'Lateralus' all the more agonising for Tool fans. It also shows uncomprising and intelligent rock music can be be in a world dominated by nu-metal jocks.
Posted to t.d.n: 03/08/01 13:57:38